As planned, I watched Acts IV and V of Richard III last night and...
Well, the production was as great as I remembered it, and it was a treat to finally see Act V, but I am sorry to report that any historical knowledge whatsoever is incompatible with really enjoying the play. I kept having all these intrusive thoughts about the real Richard, who by all trustworthy accounts was at a minimum an earnest administrator and a would-be good king, and I just felt sorry for him.
Okay, and the other factor was this: my old university copy of Shakespeare notes, in the introduction to the play, that Richard is one of the first of Shakespeare's characters to have a distinct and personal voice (this is a relatively early play) and that means you get to know him and, evil or not, you sort of identify with him. Which I guess means that this version of the play treats the anti-hero in a modern way. So, having followed him along all this way, it's hard as a viewer who is not a subject of Henry VII's granddaughter to get up a really good hatred for Richard. He's just been such good company all along.
Also, Richmond (later Henry VII) is portrayed as such a shampoo model of a perfect plastic hero that it's very difficult for a modern viewer to see him as anything but funny. Not to mention the whole issue of the play putting him heroically in the forefront of the battle, which he actually was not.
Which makes sense, naturally: the last thing you want as a soldier is for the King's (or Pretender's) army to win the day only to discover that--oops!--the King or Pretender himself has been killed in battle.
Richard, in fact, fought in the thick of things and died in battle, but given what is known of his character it's easy to believe his attitude was along the lines of, "Fuck it, if I'm King by grace of God, then God will protect me. And if He doesn't, well, then apparently I had it wrong."
Excuse the modern language, I am not good at writing forsoothly, as it were.
I did amuse myself with wonder what the historical verdict would have been if Edward IV had not died, or Clarence had managed to get hold of the throne, and then Henry VII had successfully invaded. The play doesn't beat up on Richard's supposed victims, so it's easy to imagine that under other circumstances Richard would have been one of the unfortunate and well-meaning victims of the machinations of the evil usurper Clarence.
I'm about out of time but I assure you there will be further entries on this subject, especially once I finish reading the Kendall biography and The Sunne In Splendour, the which I have on hold.
Later.
Well, the production was as great as I remembered it, and it was a treat to finally see Act V, but I am sorry to report that any historical knowledge whatsoever is incompatible with really enjoying the play. I kept having all these intrusive thoughts about the real Richard, who by all trustworthy accounts was at a minimum an earnest administrator and a would-be good king, and I just felt sorry for him.
Okay, and the other factor was this: my old university copy of Shakespeare notes, in the introduction to the play, that Richard is one of the first of Shakespeare's characters to have a distinct and personal voice (this is a relatively early play) and that means you get to know him and, evil or not, you sort of identify with him. Which I guess means that this version of the play treats the anti-hero in a modern way. So, having followed him along all this way, it's hard as a viewer who is not a subject of Henry VII's granddaughter to get up a really good hatred for Richard. He's just been such good company all along.
Also, Richmond (later Henry VII) is portrayed as such a shampoo model of a perfect plastic hero that it's very difficult for a modern viewer to see him as anything but funny. Not to mention the whole issue of the play putting him heroically in the forefront of the battle, which he actually was not.
Which makes sense, naturally: the last thing you want as a soldier is for the King's (or Pretender's) army to win the day only to discover that--oops!--the King or Pretender himself has been killed in battle.
Richard, in fact, fought in the thick of things and died in battle, but given what is known of his character it's easy to believe his attitude was along the lines of, "Fuck it, if I'm King by grace of God, then God will protect me. And if He doesn't, well, then apparently I had it wrong."
Excuse the modern language, I am not good at writing forsoothly, as it were.
I did amuse myself with wonder what the historical verdict would have been if Edward IV had not died, or Clarence had managed to get hold of the throne, and then Henry VII had successfully invaded. The play doesn't beat up on Richard's supposed victims, so it's easy to imagine that under other circumstances Richard would have been one of the unfortunate and well-meaning victims of the machinations of the evil usurper Clarence.
I'm about out of time but I assure you there will be further entries on this subject, especially once I finish reading the Kendall biography and The Sunne In Splendour, the which I have on hold.
Later.
- Mood:
thoughtful


Comments
Have you seen A Rose for the Crown by Anne Easter Smith? It's historical fiction about Richard 111 - I've got it on my TBR pile but haven't started it yet. Looks good...
Anyway, I mentioned to her that you went from extensive "obsessing" about the Grateful Dead to Richard III. And my mother -- who has had her fair share of strange, similar incidents ... but who thinks that this shift of topic is just really strange -- wondered if you had ever read the murder mystery about Richard III that was written by Josephine Tey: The Daughter of Time.
My mother regards this as one of the best -- and possibly her favorite -- book written about Richard III. Especially since it appears to be well-research (well, at least it seems that way in the plot).
I think in part because of this book my mom believes poor Richard was the victim of bad press on the part of the Tudors, and of course since good ol' Will was writing his plays during Liz I's time, he was kind of forced to fall in with the Tudor party line -- no "rocking the boat", you know, since that could have gotten one's head chopped off.
So if you haven't read it, you might give it a shot.
And your mother is right, dammit!
More on both these subjects shortly!!
I've always been puzzled why Evil Richard is so attractive, and you sum it up nicely: we are invited to identify with him, and "He's just been such good company all along." Shakespeare must have liked him, too.
I'm right in the middle of Sunne in Splendour, and I enjoy it a lot, though I don't think it is perfect. It has a modern psychological approach to the characters, which doesn't go well with my idea of medieval times. A good epic read nevertheless, Penman does an excellent job at explaining the events, sometimes in great detail, and the many characters. It helps a lot more than any non-fiction book to get a grip at the Wars of the Roses and all those people milling about, who all seem to share the same 5 christian names and titles.
For a more authentical feel of the grim medieval reality I would recommend Rhoda Edwards' "Fortune's Wheel" (the early years) and "Some Touch of Pity" aka "Broken Sword" (US), and Patrick Carleton's "Under the Hog".
Though I admit, after having read too many books in too short a time I have difficulties time to tell them apart.
And also to write more about my Ricardian readings from the weekend!!