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About the new Matt Mays CD

  • Apr. 8th, 2008 at 11:05 AM
el_torpedo_live
Not that I have heard it. But Adam, from Gloryhound, is playing keys (and various other instruments) with El Torpedo at the moment, and he was telling me a bit about what to expect. I'd already seen an interview with Matt where he said they wanted this record to sound more "produced" than the eponymous one. Not so much that he was no longer happy with the first record, just that he was into each record having its own individual sound, and besides you'd expect the band to change some just with the passage of time and some changes in membership. (Jarrett leaving and Jay coming on board means the band now has, in effect, two lead guitarists, and the shift in dynamic is already evident even when they play the older material.) And of course since the first record came out they had an extended period with Rob replacing Brad, and now Adam in the keyboard seat. (Any resemblance to the Grateful Dead and their keyboard problem is purely coincidental. As far as I know Brad and Rob are both still alive!)

Anyway, it seems the upcoming record, Terminal Romance, is going to be much tighter than the previous one, which will be reflected onstage as well, and it's a bit more of a pop sound. Which might have alarmed me eighteen months ago, but after When the Angels Make Contact I confess I would have been disappointed if the new El Torpedo record had ended up being a retread of the old El Torpedo record. I remarked to Adam that given Matt's songwriting, I wasn't concerned about not liking the new one. Adam then told me that the next record is going to be the "songwriter record"--apparently Matt has them planned out in his head the way novelists contemplating a series do with future books.

Which frankly makes me feel even more confident about the whole enterprise. I've said this before but one of the things that makes Matt such an interesting artist to follow is that sense that he's following an actual artistic vision, rather than just trying to figure out how to sell a whole bunch of records. Like, I'm pretty sure he would be pleased if he went ahead and did sell a whole bunch of records, but that never seems to be the primary thing on his mind.

Anyway, sounds exciting. Particularly, of course, for Adam!

Comments

(Anonymous) wrote:
Apr. 12th, 2008 03:49 am (UTC)
Very interesting to hear,I'm eagerly anticipating their new disc!

DCO
(Anonymous) wrote:
May. 17th, 2008 02:35 am (UTC)
unpolished is best
the man himself said you cant polish a turd at the ECMA awards in charletown when someone questioned his dress code which was a chickenburger hoody. I couldnt agree more, and I feel the same way about his music. I loved the sound that came out of the first band album, that first crunch of the drop-D on "standown," I knew right then that this was going to be a kickass album. It sounds so raw, energetic, and in my opinion is exactly the way rock and roll should sound. Not that I mind if the band wants to tighten up the sound, but I think it would be a mistake to over produce his sound, which is more enjoyable partly because it isnt over-produced, computer generated, protools hatched music. What is great about Matt Mays is the soul and power behind his music, the rootsy feeling that few artists can create. Anyone who has seen him live, and I have about 9 times, knows that his live shows are epic, for all of the reasons that I mentioned above, rock and roll isnt about perfection, it's about heart. His most famous song to date was created with all the members of the band laying it down together at the Sonic Temple as if it was being played live, and you can tell every time you listen to Cocaine Cowgirl. That being said, I have great faith in the man as a song writer, and I know he is aware of the raw sound that Im referring to, because he said he wanted to maintain that sound when he was working with Don Smith for the first band album. I only hope he doesnt stray too far away from what I believe is his finest musical attribute.
Matt if you read this, plug in the Gretsch to that old Fender amp, step down on that tube screamer, and keep doing what your doing!

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